Skip to main content
Site map
City of London

Guildhall Art Gallery is managed by the City of London Corporation as part of its contribution to the heritage and cultural life of London and the nation.

About Us

The Roman Amphitheatre

About The Amphitheatre

In 1988, Museum of London archaeologists made an astonishing discovery that changed the face of Roman London. The capital's only Roman amphitheatre was located in Guildhall Yard, during an archaeological dig taking place in preparation for the new Art Gallery building project. In 2002, the doors to the amphitheatre opened for the first time in nearly 2,000 years.

You can enjoy free entry to the amphitheatre as part of your visit to the Guildhall Art Gallery. Download a guide to the Amphitheatre 
For organised tours please contact the Museum of London box office, tel 020 78145777 or email groups@museumoflondon.org.uk.

The Discovery

Guildhall Art Gallery and Yard  When short stretches of Roman wall were unearthed in Guildhall Yard the site became a protected monument. The City of London decided to integrate the remains into its proposals for a new Art Gallery and construction work began in 1992, alongside ongoing excavations. The surviving remains include a stretch of the stone entrance tunnel, east gate, and arena walls. They are protected in a controlled environment, 20 feet below the modern pavement, in which they can dry out slowly without damage to the ancient stonework. The original extent of the outer wall is marked by a circle of black paving stones in Guildhall Yard.

Roman London

'Famous for its wealth of traders and commercial traffic' 

This description of London in the 2nd century AD by the Roman historian Tacitus continues to define the City today. Londonium, as it was known, was one of the largest towns in Roman Britain and among the Empire's most significant settlements outside the Mediterranean. It was a hub of international trade; managed by traders who handled the importing of large quantities of luxury goods such as wine, oil, and cloth and the exporting of raw materials and slaves. It began in AD 47 as a settlement on two small hills on the north side of the Thames, currently occupied by St Paul's Cathedral and Leadenhall Market. With easy access to the sea and an advantageous position at the borders rather than the centres of existing tribal groups, Londinium quickly grew to be the most vibrant town in the whole province.

The Arena

'The whole place was seething with savage enthusiasm... in the course of the fight some man fell; there was a great roar from the whole mass of spectators...' 

London's Roman amphitheatre was a venue for wild animal fights, public executions and gladiatorial combats. Although these violent spectacles were sometimes criticised, particularly by the growing Christian community, they attracted huge audiences. St. Augustine, writing in the 4th century AD, describes the infectious power of the crowd's mood on even the most disapproving visitor, ' he opened his eyes, feeling perfectly prepared to treat whatever he might see with scorn ... He saw the blood and he gulped down the savagery... He was no longer the man who had come there but was one of the crowd to which he had come.' 

Guildhall Yard

Hill, Adrian. The Guildhall. 1926 The site of the Roman amphitheatre lay derelict and empty until the mid 11th century, when the expanding Saxon and Norman city spilled over into the area. Several well-preserved timber and wattle buildings, probably domestic houses, animal byres and small workshops, were uncovered in the recent excavations. Between the early 12th century, when the first Guildhall was built on the site, and the 16th century, the area developed into the hub of the City's self-government and a complex of increasingly grand buildings grew up. Before the great changes of the Reformation these included the Guildhall itself, Guildhall chapel, Guildhall college and library, the church of St Lawrence Jewry, and Blackwell Hall. Of these only the 15th-century Guildhall still stands.

Banner Image: Sir Lawrence Alma-Tadema, Pleading, oil on canvas, 1876